Skip to main content

Official Fan Fiction

We've been talking about different moral economies in class, which essentially refers to people expectations of what is fair. The attitude of 'remix' culture and web 2.0 encourages others to share freely, create and remix new content using someone else's content or framework (like memes) in many cases without even receiving credit. This attitude stands in contrast to the moral economy of the previous media landscape when corporations were the main drivers of content, proper credit (and pay) for content was strongly enforced, and copyright was vigorously enforced.  Finding common ground between these two sides has proved difficult.

Marvel Comics has tried to offer a middle ground to fans who want to write their own stories about Marvel characters and properties with Marvel Create Your Own.  It allows anyone to make their own comics by choosing from a variety of pre-rendered Marvel characters, backgrounds, layouts, and effects.  Only a handful of characters can be used for free, but others can be purchased to use for a few dollars. 

On the surface it sounds great.  Marvel has found a way to give fans and creators access to their popular characters and tools that will allow anyone, even if they have no previous drawing or writing experience, a chance to make their own comics.  However, there are some major issues with this platform. As Kaitlyn Tiffany writing for The Verge points out, "Legalism and art rarely mix well; lawyers will always err on the side of caution, which in a creative context can mean censorship and encouraging artists to make things that are inoffensive, toothless and of little interest to anyone."  A quick look at the list of restrictions reveals that any stories with "Sensationalism” (which could include killer bees, gossip, aliens, or scandal), politics, social issues, 'controversial topics', fart noises, “Content that could frighten or upset young children or the parents of young children,” and much more.  The other issue that seems 'unfair' is that Marvel will own anything users create, even though many of those users have paid money to purchase characters and spent their own time and energy to write these stories. With huge restrictions and an inability to really share or own any content I don't imagine this service will be popular among most comic fans.

Comments

Popular posts from this blog

The Six D's

This blog, I'll take a quick look at how the 6 D's have affected the world of comics and their fans. Demassification (is the breaking up of a system to make it less uniform and more sensitive to the individual needs or interests of those involved in the system) Comic readers have more options than ever, as webcomics have made self publishing much less expensive and opened the market up to a world-wide audience.  Printed comics have also become more diverse, both in terms of who is creating them and the stories that are being told.  I believe social media, which has given a voice to many non-dominant readers, is partial responsible. Decentralization (is the dispersion of powers or processes) The only way to buy lesser know comics (those outside of the top 10 ~20 most popular titles) was to find a local comic book store per-internet. But comics can now be purchased from several sources digitally.  Marvel even has a subscription service that give access to thousands...

Expanding audience and feeling under attack

The internet has enabled greater discussion among fan groups, closer ties between creators and fans, and made it much easier for like-minded people to gather and discuss their opinions.  Specialty fan communities that analyze comics through a particular lens have been established. Several sites and social media users have focused on females in comics and fandom. The tumblr for DC Women Kicking Ass describes itself as a place for, "Thoughts, pictures, reviews and other stuff about the women in comics who kick ass This is a feminist site. Deal with it." The Mary Sue has a similar focus, but covers geek culture at large, including movies, video games, comics, and novels. It feels like main-stream comics have become more diverse, both in terms of characters and creators.  I'd like to have concrete numbers to back this up, and I'm searching for them, but they aren't the easiest to find.  It seems that I'm not alone in this feeling, as several groups have form...

Audience Expectations and Reasonableness

Henry Jenkins has this to say about fandom in the book 'Textual Poachers':  “Organized fandom is, perhaps first and foremost, an institution of theory and criticism, a semi-structured space where competing interpretation and evaluations of common texts are proposed, debated, and negotiated and where readers speculate about the nature of the mass media and their own relationship to it.” I generally agree that this process of theory crafting, criticism, and debating/negotiating the relationship fans have with the creators and companies that produce comics is a HUGE part of what the community spends their time and effort on in online spaces. He also says: “This fan views shifts in characterization or format as acts committed against the fans by the producers (unwarranted damage to their common cultural property) and thus as acts warranting a direct personal response.” Which can often make the debate that comic book fans spend so much time on so personal and heated.  Especially no...