Skip to main content

Expanding audience and feeling under attack

The internet has enabled greater discussion among fan groups, closer ties between creators and fans, and made it much easier for like-minded people to gather and discuss their opinions.  Specialty fan communities that analyze comics through a particular lens have been established.

Several sites and social media users have focused on females in comics and fandom. The tumblr for DC Women Kicking Ass describes itself as a place for, "Thoughts, pictures, reviews and other stuff about the women in comics who kick ass This is a feminist site. Deal with it." The Mary Sue has a similar focus, but covers geek culture at large, including movies, video games, comics, and novels.

It feels like main-stream comics have become more diverse, both in terms of characters and creators.  I'd like to have concrete numbers to back this up, and I'm searching for them, but they aren't the easiest to find.  It seems that I'm not alone in this feeling, as several groups have formed to counter what they see as negative changes to the media that they love.

#comicsgate is one such movement, and Inverse explains some of the history behind the group ,although from an outsider or disapproving perspective, and describes the group, "Comicsgate, meanwhile, seems to just want less diversity, both in characters and creators, in an attempt to save comics and keep the medium white, male, and familiar." The Angry Gamer, in an approving article, believes the group's goal is "to bring awareness to the comic book industry at large and the casual comic book reader how the comic book industry has become enveloped in regressive politics." The main activity of members using the hashtag on twitter appears to be sharing a list of creators who should be boycotted by comicgate members. There does not appear to be lots of discussion as to how this will improve the comics industry beyond removing 'SJW' influence.

Another group that encouraged slate voting, though not by direct purchase but rather by voting in a literary award, the hugos, was called the 'sad puppies'.  Slate and The Guardian covered the campaign, by both the 'sad puppies' and the 'rabbit puppies', which aimed to counter what they saw as decrease in 'traditional' sci-fi and fantasy stories in favor of stories that featured more diverse characters, stories, or social commentary. Among the titles the group succeeded in nominating for the prestigious Hugo Award was ' SJWs Always Lie'.  

As the conversation between comic fans has turned to issues of representation, diversity, and sexism, sub-groups that see these conversations as part of a broader 'political' conversation or as a front in some kind of 'cultural war' have formed.  As members of these groups begin to form rivalries and per-conceived notions of the other group, 'othering' as occurred and civil discussions have become more difficult. Moderators of the main sub-reddit for comic book discussion /r/comicbooks have banned harassment and intolerance campaigns like 'comicgate'.

Comments

Popular posts from this blog

Are Comics Cool?

Are comics cool?  Short answer: probably not, but they're also not uncool.  I don't see people purchasing comic books or reading graphic novels at the library to establish how cool they are.  But comics no longer seem to be burning red letters that tell the world how dorky you are (though your mileage may vary).  A few decades ago, if one mentioned that they loved to read comics, or collect them as a hobby, they would likely elicit a host of stereotypical judgments.  If you were a comic book fan, then you must be a basement dwelling, social outcast, with childlike taste in entertainment, this seemed to be the general consensus and this is often how comic fans were represented in the media. The Comic Book Guy from The Simpsons. These days, however, when I mention that I enjoy comics, most people seem to be at least ambivalent, and often they will mention a recent comic book movie or TV show they enjoyed.  The rise in popularity of superhero movie...

The Six D's

This blog, I'll take a quick look at how the 6 D's have affected the world of comics and their fans. Demassification (is the breaking up of a system to make it less uniform and more sensitive to the individual needs or interests of those involved in the system) Comic readers have more options than ever, as webcomics have made self publishing much less expensive and opened the market up to a world-wide audience.  Printed comics have also become more diverse, both in terms of who is creating them and the stories that are being told.  I believe social media, which has given a voice to many non-dominant readers, is partial responsible. Decentralization (is the dispersion of powers or processes) The only way to buy lesser know comics (those outside of the top 10 ~20 most popular titles) was to find a local comic book store per-internet. But comics can now be purchased from several sources digitally.  Marvel even has a subscription service that give access to thousands...

Gender Parity

One of the positives aspects of digital culture has been a decrease of 'gatekeeping' in many fandoms and communities. Comics can be read quickly and cheaply from nearly anywhere.  Discussion spaces have opened up beyond physical comic shops.  Gender and race, which were sometimes barriers to conversation, are often not immediately visible in the online world. Traditionally, the comic book market was understood to be largely white and largely male.  The exact demographic breakdown of past comic book readers doesn't seem to be available.  Like most mass media, including Hollywood movies and television, white, male viewers/readers were well represented and catered to, while many other demographic segments were less represented . The internet has made many underserved communities more visible. It has made it easier for them to form communities and discuss the issues facing their communities. Female comic fans are one of the communities that have become more visible...